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Andy Warhol and ‘Get Out’: The Week in Pop-Culture Writing

30 Years After His Death, Andy Warhol’s Spirit Is Still Very Much AliveR.C. Baker | The Village Voice“How much responsibility…

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What ‘Girls’ Said About Trauma in Its Powerful ‘American Bitch’ Episode

Why do the girls of Girls act that way? That’s the question underlying five years of baffled cultural responses to…

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The Atlantic’s Week in Culture

Don’t Miss The Case for Shyness—Megan Garber traces the history of timidity via Joe Moran’s fascinating new book Shrinking Violets….

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A Common Theme for This Year’s Oscar-Nominated Documentaries

The documentary 4.1 Miles opens to a bright, sunny day on the Aegean Sea. It’s October 28, 2015, and for…

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Why Do We Call Celebrities ‘Stars’?

It makes so much sense to refer to certain kinds of celebrities as “stars.” At their heights, those people inspire…

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Frank Ocean Makes a Surprising—but Welcome—Slide Back to Pop

Updated on March 1, 2017 “Frank Ocean appears courtesy of Frank Ocean,” reads the liner notes to Calvin Harris’s new…

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And the Oscars Will Go to …

It’s that time of year again, when we can all grouse about the inanity of the Oscars: how the Academy…

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Vote for the Best Reader Responses to December’s Big Question

We asked readers to answer our question for the December issue: What was the most significant event to happen on…

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‘I Don’t Feel at Home in This World Anymore’ Is a Dark, Goofy Neo-Noir

“What do you want?” an exasperated petty criminal asks Ruth Kimke (Melanie Lynskey), who’s in the middle of the strange…

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Can Marine Le Pen Win France’s Presidency?

Marine Le Pen is hoping the wave of populism sweeping the Western world carries her to the Élysée Palace. “The…

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